Transitions
CUT TO, FADE OUT, DISSOLVE TO, SMASH CUT. What transitions do, when to use them, and why modern scripts use fewer of them.
What a transition is
A transition tells the reader how one scene moves into the next. ALL CAPS, right-aligned on the page. "CUT TO:" "FADE OUT." "DISSOLVE TO:" "SMASH CUT TO:"
Use them sparingly
Modern scripts use transitions less than they used to. A new scene heading usually does the job on its own. The reader understands that a new scene heading means a cut. Save transitions for moments where the cut itself is the story: a smash cut, a match cut, a slow dissolve.
The ones you'll see
- "FADE IN:" starts the script. Most scripts open with this.
- "FADE OUT." ends the script, usually followed by "THE END."
- "CUT TO:" is a hard cut. Common but often unnecessary in modern scripts.
- "DISSOLVE TO:" suggests time passing or a softer shift.
- "SMASH CUT TO:" is a fast, aggressive cut, usually for surprise or humor.
- "MATCH CUT TO:" cuts between two visually similar shots.
Don't overdo it
If every scene ends with "CUT TO:", the reader starts skipping them. Let the scene headings do the work. A script with fewer transitions reads cleaner and faster.
Try it yourself.
Open Scene Forges and practice this directly in the screenplay editor.